A few years ago, my friend Jill Sternheimer and I started a conversation one night while driving around the streets of New Orleans. Both of us are music nerds, and we regularly attend the kinds of musical retrospectives that have become common in this age of historical exploration via tribute shows and historical playlists. Jill, in fact, often organizes such shows at Lincoln Center Out of Doors, where she is the director of public programs. I sometimes write about them, and often ponder how music history’s being recorded and revised in the digital age. Why, we wondered, was the importance of women so often recognized as a trend instead of a source of lasting impact? We came to a conclusion that, in 2017, will likely strike no one as a surprise: that the general history of popular music is told through the great works of men, and that without a serious revision of the canon, women will always remain on the margins.
This is a follow up to the Previous Post: A New Canon: In Pop Music, Women Belong At The Center Of The Story : NPR
This list, of the greatest albums made by women between 1964 and the present, is an intervention, a remedy, a correction of the historical record and hopefully the start of a new conversation. Compiled by nearly 50 women from across NPR and the public radio system and produced in partnership with Lincoln Center, it rethinks popular music to put women at the center.
View Full List at NPR: Turning The Tables: The 150 Greatest Albums Made By Women : NPR
Forget playing “the girlfriend” or “the mum.” Television is proving an embarrassment of riches for women thanks to complex, original characters and female-centric plots that are attracting Oscar-calibre movie stars to the small screen.
Once regarded as the step child to Hollywood movies, A-list actors like Nicole Kidman, Reese Witherspoon and Susan Sarandon are flocking to TV series, and jostling for this year’s Emmy awards.
Set to debut at D23 Expo 2017, “Ink and Paint” was years in the making. Johnson gathered information for the book by interviewing the family members of women who worked at Walt Disney Animation. Some of the unseen pictures and documents were literally found hidden under beds of relatives of these former Disney employees.
Gender parity has been a growing issue across the nation. A study released June 27 by Actors Equity shows that women find fewer work opportunities and draw lower salaries than their white male counterparts. The study examined employment data for shows that opened between 2013 and 2015. It is in line with an article in the Oct. 16 edition of American Theatre that notes that women wrote just 26 percent of plays in the 2015-16 season. Add to that the preponderance of roles for men in the classic canon, and
A writing contest seeks to highlight the realities of migrant Mexican and foreign migrant women and raise awareness of the conditions, problems and successes they experience.
The contest — “Migrant woman, tell me your story 2017” — also encourages participation by asking women how they would solve specific problems they have encountered.The government of Mexico is sponsoring the contest through its National Institute for Women (Inmujeres), the National Migration Institute and the Ministry of Foreign Affairs. Participants must be 18 or older.
The majority of the animation students at California Institute of the Arts are female, but that hasn’t always been the case over the elite school’s 47 years